Yesterday, the metaphorical curtain came down on my tenth show that I've stage managed. I'm ridiculously pleased with myself over it too.
So, here's a look back at all ten.
1. An Orchesis modern dance concert in college. A landmark because it was the first. They picked me for this one, because I was dancer for so long and claimed to know how their minds work. This is usually true, except for the crazy woman who directed this concert. She called me a dip-shit in a production meeting and was the first director to make me cry. I'm amazed that this was a good enough experience that I agreed to do...
2.
Our Country's Good. Also for my stage managing class in college, but not for credit. Their SM fell through and I agreed to do it out of the goodness of my heart. Mum always told me to make my living in life by doing something that I'd be happy to do for free. An excellent play about a convict colony in Australia that decides to put on a play. Irony. I love it. Directed by a slightly more stable woman who only made my cry once, instead of multiple times.
3. The pieces that came before are really only important because they led to this one.
What the Butler Saw was my first show in LA and my first show for Banshee. A British farce by Joe Orton about a pychiatrist who's unhappy in his marriage and tries to seduce his new secretary. Through a series of hysterical circumstances, almost the entire cast ends up in their underwear. And note that Sean, the director, didn't make me cry once. Nor has he since.
Favorite quote: "Your actions today would get the Archbishop of Canterbury declared
non compos.
""I'm not the Archbishop of Canterbury!"
"No, that will come at a later stage of your illness."
4.
The Man from Clare is a beautiful play by John B. Keane. One of the few Irish plays that actually has a happy ending. Aging football player has to face the facts and give way to the young buck who's trying to replace him. Falls in love with local homely girl and enchants her family. One of my favorites. I thought I was OK with this one closing until I got in my car to drive home and sobbed all the way. I look forward to doing another of his plays next spring.
Favorite quote: "Thank God for all things wet!"
5.
The Hunt for Red Willie was an interesting experience. It didn't bring in the crowds that we needed/wanted it to. Also a farce about poitin makers (that's Irish moonshine, by the way) running about the countryside and a mask with a bizarre influence over those who wear it. We were all glad to see this one close. And yet, we still talk to audience members who say it was their favorite.
6.
Mine Eyes Hath Seen has been my favorite out of all the shows I've done. A compilation of journal entries and letters from the Civil War. Amazing because of all the people who came out afterwards saying, "I had no idea!" Gives you a whole new perspective on the people who fought, why they fought, and how they survived (or didn't) during the war. I was very sad to see this one go and started crying even before curtain call started.
Favorite quote: "... gladly would I wash out with my tears, every little stain upon your happiness."
*There was another show that I started to stage manage in this gap, but it was such a hellish experience that I prefer to just ignore the fact that it happened at all. It involved a sociopath director, sobbing, big-ass snakes, too much caffeine, more sobbing, a blatant diregard for equity rules, a ladder, me falling off said ladder, a chiropractor, even more sobbing, a call to my aunt in North Carolina, a resignation 2 days before we opened, a number of hideous reviews, and much rejoicing at being back in the arms of Banshee. I'll leave it at that.*
7.
Eclipsed was an intense play about the unwed mothers in the Magdalene laundries in Ireland. The story of a few of them and how they came to be where they are. And their fondness for Elvis. Remember what I said about Irish plays and happy endings...? There was a lot of drinking during this one.
Favorite quote: "The keys, sister! Give us the keys!"
8. Next came
Dockers by Martin Lynch. A tale of dock workers in Northern Ireland and their fight against a corrupt union. Ditto about the happy ending. This one was a milestone because it was the first show in our own theatre.
Favorite quote: "Whatever you like now, Sarah. It's all the same to me."
9. Another milestone! First Shakespeare.
Henry IV, Part 1 was a pile of fun and very daunting with a cast of 18 and a broadsword battle with 16! And on a stage that's the size of a postage stamp.
Favorite quote: "Jack, how agrees the devil and thee about thy soul that thou soldest him on Good Friday last for a cup of madeira and a cold capon's leg?"
And, last but not least...
10.
Power by Nick Dear. Louis XIV and all that jazz. Nicholas Fouquet and his machinations. Building Versailles, imprisonment, adultery, fashion, more adultery, and of course apricots. McKerrin was a great director and, also, didn't make me cry. To think that I was going to take a break for this show... Pssh! I'm OK with this one ending because I really need to clean my apartment and go to the grocery store.
Favorite quote: "As for the clergy, they will suffer for their idiotic celibacy."
(Why is it that now while I write this, I can't remember the best quotes...? Maybe I'll have to go back and check my scripts for better ones.)
What comes next, you ask? If I tell you now, then I won't have anything to blog about in the next months. You'll have to keep reading... Just know that it took coercion, bribery, and much cajoling to talk me into the next one. It's a real upper! Ooh, you can feel the sarcasm oozing through the screen, can't you? My loins are girded, so to speak. And not in a fun way.
God, I love live theatre!